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Showing posts with label yaoi. Show all posts
Showing posts with label yaoi. Show all posts

Dr. M: Day 19--A manga that you disliked at first but came to enjoy later on

As Day 19 of the mangathon approaches, our intrepid hero forces herself to carry out the seemingly impossible task set before her...to complete not just this, but another 11 responses to weird prompts about manga. Her attempts at humor, lame on the best of days, falls flat as the prompt for day 19 rears it's head. What, Dear Readers, shall become of our hero?

Well, mostly I'll just try to be funny for a paragraph and then answer the question with a scan from the first volume of Makoto Tateno's Yellow which was so poorly translated that Shakespeare could not resist correcting my copy with handwritten bits of dialog taped over the incomprehensible blather that is actually printed there.

See, there's that scan I was talking about.
Thankfully, a new translation and editing crew seems to have been hired for the later volumes. Otherwise, I could not have read that. It was bad. Like bad, bad. So, I hated it, but it got better, and then I liked it. Our intrepid hero can learn to forgive...occasionally. The end.

Stay tuned for tomorrow's riveting installment, "Day 20: A manga you started out enjoying but ended up not liking as much." You may be surprised, Dear Readers, to discover it is not a yaoi manga. Hooray. I do read other things, you know?

Dr. M: Day 18--Favorite BL/yuri couple

Well, we all know I have a love of the yaoi. I guess that's out in the open, right, Dear Readers?

And, since I've already been posting things about my love of certain characters who are in m/m relationships...certain awesome characters who are cops and doofuses...I have to say that Dee and Ryo from Fake are my favorite couple in all of yaoi. Of course, part of this "favoriting" is that Dee is my favorite character in all of mangadom, but there are other reasons I love this couple.

They are older (so I don't get skeeved out by teen-aged amorous interests...bleh), they are both tough (a good yaoi character is not a girly-girl in a guy's body, manga writers out there, they are dudes), and their sexual tension goes on for seven volumes (three years in the storyline, if my math is right).

Ryo in atypical mode showing affection for Dee.
GLOMP! 
Dee and Ryo, you are my favorites. Now go make out (so I can make a squee noise and run around the room joyously).

Dr. M: Day 17--A manga that you feel embarrassed about liking

Our Kingdom by Naduki Koujima is embarrassingly bad, and yet...I own the whole series and like it enough that I haven't gotten rid of it.

Check out our Parental Advisory Sticker...
Also, check out our capes! 
Here is a list of why it is bad:
1. The illustrations all look the same...as in there are two face styles, and beyond that it's just differences in hair color (and sometimes those aren't very significant.).
2. How many times can one person be kidnapped? Seriously! Someone needs to put a GPS or pet-chip in the main character because seriously. (Eventually they do sort-of do this. Good idea.)
3. Same-sex cousin incest, not that there's anything wrong with that in yaoi...it is fantasy, I suppose, but still.
4. Sometimes the aggressive sexual behavior gets a little too aggressive. No, does actually mean no.
5. EVERYONE is madly in love with the main character. He's like catnip or something...gay catnip! And yet, I see absolutely nothing attractive or compelling in him. He's cute, I guess. But he's kind of dumb.
6. CONVOLUTED PLOTS! (See #2)
7. This is supposed to be a _Prince and the Pauper_ inspired story, but I don't see it.
8. The other major character is a snotty, elitist jerk.
9. CONVOLUTED COSTUMING! (See "cape")
10. Frequent sexual harassment of a confused body-guard in every other scene. Not cool.
11. Apparently they live in a world devoid of women. As in, there are three women in this book and none of them are characters with more than two scenes. Yes, I get that this is yaoi, but women exist. That's just a fact.
12. Allow me to use #12 to reiterate how stupid the main character is. He may be the most gullible character I have ever seen. And that is saying a lot, because there are a ton of gullible characters in manga.

Why I still like it, despite the embarrassment of liking a series this bad:
1. It has its cute moments.
2. I like that poor harassed body-guard. He's the most sympathetic character of the bunch.
3. I have no idea. That's it. I have no idea. It's really dumb.

I think I'll go re-read it.

If you go to read it...the early volumes are pretty tame, but the later ones get a little, um...surprise bumfinger? Yeah.

Dr. M: Day Six--Your favorite character

I know you're wondering, Dear Readers...who among all the characters in all of manga-land is my favorite?


I am imagining all of you as the cast of Fake.
You're welcome! 

Who is the right combination of sexy, devil-may-care, tender, dorky, devoted and borderline psychotic? Who would I be content reading about in any incarnation?

DEE LAYTNER

You, Dee. You, okay?
Dee Laytner is a near-thirty-something detective for the NYPD...and just happens to be madly in love with his partner Ryo McClean. The two solve crimes, and are generally pretty bad-ass. They're also working through some childhood traumas, and the fact that Dee keeps trying to get all up in Ryo's biz. 

There's that sensitivity.
Quit pushing Ryo's boundaries, Dee. 

He's the right mix of hyper-cheesy and dude-you-do-not-want-to-eff-with. I like it. I like Dee. 
I will not! I do like you. You're like my favorite character in a manga ever.
Take the compliment, you weirdo. 
Dee has a heart of gold, behind his rough exterior...sometimes. Sometimes it's the heart of a pervert...which I'm okay with too. 

Dee may have a split personality.
He vacillates from intense to goofball on a regular basis. 

He's honest to a fault, secretly considerate (he doesn't want to mess with his tough-guy cred), kind of a doofus (not the smartest tool in the shed, but definitely a tool) and he's a good guy. A real good guy. Rough around the edges, but hopelessly devoted to those he loves. 

Dee at his NYPD finest! 
He loves kids (most of them), sports and really bad clothing. (Seriously, he is a horrible dresser.) He's loud, messy, crude and AWESOME! I like him so much that sometimes I want to shake Ryo for dissing him as often as he has. 

Dee pounce with nip-slip! 
When (SPOILER) Ryo finally gives in to Dee's advances I swooned, and then I was jealous. I want a Dee. Everyone wants a Dee. And if I ruled the world, everyone would have one...except for me because I would have two, and why shouldn't I? After all, I would be busy ruling the world. I'd deserve two. 

Dr. M: Day Three--My Favorite Mangaka

Can I just say manga writer? I mean 私は上手に日本語を話すことはありません。(I do not speak Japanese well.)

Okay, my favorite manga writer does, in fact, not write any of my favorite manga. In fact, her manga are usually fairly mediocre at best, and kind of brutal and weird. But her freaking afterwords are just...

Eiki Eiki is brilliant. 
Eiki Eiki depicts herself as a snarky, black rabbit with alternating bouts of egotism and self-deprecation. In the afterwards she makes strange confessions, calls out her friends and fellow authors, accidentally reveals her alter egos, and expresses such bubbly glee and excitement about her stories (always troubling romances, usually yaoi or yuri) that I cannot help but fall in love with her. Look at the satisfaction evident in the singularly small phrase in "The Truth about the Masturbation Scenes" below.... "No, there has not." She centered a whole series around a sadistic rich boy who can't seem to keep his hands off his own junk. It's not good, but that sentence... "No, there has not." Seems punctuated with a mental mid-air leap and yawp to the heavens. A sort of "YEAH! I WROTE THAT...how you like me now?" which I can totally support. Good for her! Three cheers for her successes! (And what a nice cover-up with those undrawn parent-faces...that is an impressive academic excuse if ever I have heard one.)

From one of the five bits of "afterwords" materials and bonuses
in the extraordinarily depressing and wholly sinister
 _The Art of Loving_ from June Manga.
Lots of manga writers are admirable in their ability to tell complex stories through storyboard, dialog and gesture, so I really can't choose just one on that count. I can't! You can't make me! I refuse, Dear Readers. So, I had to find some other means of qualification, and I wound up thinking of the writer themselves.

Lots of manga writers have fun and even poignant afterwords (or post-scripts) to their volumes, but none of them seems as happy, regretful, and frankly insane as Eiki Eiki. She is a crackpot. A lunatic. A weirdo. A black rabbit of destruction whose very friends and family are baffled by. She is...a writer. And she may not be the best, but I'd read a whole book of her afterwords and cackle in like-minded glee because I get it.

Write on, black rabbit of doom! Rejoice Prince with a thousand enemies...hahahahah!

Dr. M: Day One--My Very First Manga

My very first manga was borrowed from Shakespeare's already hefty collection over 10 years ago. I had watched some, very little to be honest, anime at that point, and one day as I was getting my hair colored by a friend Shakespeare popped in the dvd of Gravitation. My first reaction was...What is this weirdness? But one episode in and I was hooked on the story of a hyperactive, wanna-be, pop star and the obsessive love he held for an irascible, chain-smoking romance novelist.


Opening Theme to Gravitation the anime series

So, she loaned me the first 9 volumes of the manga series, which was then still in production through the now defunct Tokyo Pop. I didn't even know how to read them correctly. I was, and still am, an American comic fan, so the right-left orientation threw me for the first few volumes. Again, I was hooked. Gravitation  was my gateway drug to the world of manga.

After Gravitation the obsession hit hard. I was making monthly jaunts to another city where the selection of manga was bigger. I started keeping track of release dates and anxiously awaiting the next volumes. I scoured ebay for deals on sets and even glanced at a few doujinshi (fan-created mangas)...where I discovered something both awesome and awful. Murikami, the mangaka of Gravitation, had done her own unpublishably smutty doujinshi. I don't recommend the doujinshi (because ewh!), but I do recommend the manga series. It's cheesy, and hyper, and impossibly goofy, but it is also sweetly heart-felt, and tragic. I cheer for the good guys, shake my fist at the baddies, and laugh my way through main character Shuichi's bumbling attempts at love and success.

Tokyo Pop may be gone, but there are still plenty of copies of this long-running series to be found.

  Now listen to that intro video above and try not to dance.

About Love (Manga)

Written and Illustrated by Narise Konohara
Publisher: June
Rating: YA 16+

Aw, someone's sad because they're shopping for wedding dresses.
I know that feel, bro.
Aswaka is a wedding planner and Sasagawa and his wife were his first clients. Aswaka was unsure of his profession, but this couple inspired a passion in him and he continued his career to become a highly sought after wedding planner. In his mind Sasagawa and his wife became the archetypal couple...the perfect wife, the perfect husband, the perfect couple. But when he runs into Sasagawa alone a handful of times, and the two of them strike up a friendship, Asaka discovers that not everything is as it seems. 

Sasagawa had a crush on his wife in high school, but he was far below her interest, it was years later when they ran into each other during a homecoming that they reconnected...but their marriage is a front. She had a female lover and needed to get married to claim an inheritance, and poor Sasagawa, still head over heels for this woman, agreed to the charade. In his heart he believed that if he were the perfect husband, that eventually she'd see his love and devotion and return it. 

No, there isn't, Asaka.
I worry about 30 year old men all the time.
Asaka is floored when he learns of their marriage and pities Sasagawa's situation. Like he says, "being in a fake marriage with someone you really love--it's so unfortunate, its laughable." Asaka is the accidental witness to Sasagawa's breakdowns, and their friendship deepens as they support each other emotionally over the years. Then, because this is yaoi, well, they become romantically entangled.

Here's the thing, I like Asaka, but Sasagawa is a sad sack.  Normally I love a damaged character, and the damage here seems real, but Sasagawa is weak and needy, and too ready to take a backseat to everyone around him. I suppose there's an innocence there that's a little endearing, but he's so much like a kicked puppy that it unnerves me. 
Oh, my god, nut up!!!!
This man needs a wah-mbulance!

One of the most interesting aspects of this manga is the sort of unaware love that grows between the two characters in moments when they shore each other up.  Unlike those annoying yaoi, "Oh, suddenly and without any hesitation I'm gay" moments (because that's so realistic--sarcasm), the development of love between the characters is slow paced and feels genuine.  They just enjoy one another's company; they take comfort in one another; their love grows slowly and very, very cautiously--after all Sasagawa is a wounded man.  Both of them then run from the idea that their friendship is anything more...but to no avail.

More than anything this is a story about loneliness, and the hard truths about love--that it doesn't always work out, that it takes work and patience--the gender of the characters doesn't matter to those truths. It is the timidity (and to some degree the embarrassment) of this unlikely couple, that ultimately saves this slow-paced manga. Don't go looking for sexytimes here, or adventurous/aggressive characters...you'll be disappointed. But, if you're looking for something a little more realistic, and if you don't mind a bit of drunken man-sobbing, then this might be worth a read. 

So--So Sunday: Curve (manga)

Curve
Written and Illustrated by Noriko Tsubota
Trans. by Allen Laney, and The Knights of the Eastern Calculus
Publisher: DMG
Rating: T
The art is nice.
I have no idea why Curve is the title...
it has absolutely nothing to do with the manga.

I feel bad about submitting this as a So-So Sunday post, but Curve really is just so-so. The artwork is beautiful, the translator seems to have done a great job (well-written), but...it's almost like the story isn't all there.

Tatsu works at at detective agency during the day and an art gallery at night, but he gets thrown for a loop when his two jobs collide and he ends up working for a sculptor. This manga has a lot of stuff: angry dads, jilted women, mistaken identity, cons, rich people, espionage...Hooray!

There's also a Ghost-esque clay throwing fantasy (which I highly disapprove of). 

You'd become a jug, or a vase, or a bowl, most likely. 

Oh, and neither one knows they are in lurve.

I tease, but in a lot of ways this story, despite the ridiculous mistaken identity trope, is pretty simple, and doesn't have a single scene that feels squee-worthy. It isn't the art or the translation that makes this so-so...it's the story itself. The plot is weird. There are some early hints about the main character's dark past that never resurface at all. There seems to be little motivation for some reactions, like the main character running away to America. All in all...I'm left wondering why characters are behaving the way they're behaving, and not in an interesting way.




And Now for Something Last Minute... "Artifice" by Alex Woolfson

Since some of us are big fans of yaoi here at Squeefinity, I thought I'd recommend checking out an American webcomic that takes on the genre. You might consider Alex Woolfson and Winona Nelson's Artifice currently available online. Here is what the author has to say about the story:

Artifice is about Deacon, a prototype android soldier so advanced he is referred to as an "artificial person." On one of his first missions, Deacon was ordered by his corporate masters to eliminate a team of scientists who knew too much—and he has failed spectacularly. Not only did he let one of the targets live, he attacked the team sent to retrieve him. Now the Corporation wants answers and they bring in the brilliant robopsychologist Dr. Clarice Maven to get them—giving her the power to make sure Deacon never fails the Corporation ever again.

As Deacon tries to keep his secrets and the doctor cuts through his defenses, a cunning game of cat-and-mouse begins. The question is: will Deacon be able to resist Dr. Maven’s power and protect the only thing that has ever truly mattered to him?

Sounds pretty good to me! I've been a bit down on some yaoi lately because it seems to fall straight into hentai or pron. What I'm looking for is a good thought provoking story where the main characters just happen to be gay. So, yeah! Good for this one. I look forward to reading it, and I hope you do, too.

And for those with more interest, the author is running a very soon to be finished Kickstarter, which you can support!

Rainy Day Love -- Satomi Konno


Publisher: DMG
Audience: The cover says 16+ (Due to the amount of naked stickiness, I say 18+)
Localization Team: Cynical Pink

Here on the West Coast, certain manga bloggers aren't immune to romance problems of their own. Sometimes, said manga bloggers, who will not be named, want to just read a cute and ideal love story and fantasize for a moment that love is just that easy.

Tonight I had the opportunity to read Rainy Day Love. It is adorable. Yes. I know, crabby Shakespeare who usually just wants to be critical of everything is saying: this manga is pretty darn sweet.

Older Teen Yuta works in his family's senbai shop. When his younger highschool buddy Shizuno appears, Yuta realizes he has feelings for him. There's not too much struggling here, not too much angst. There's just a little fumbling, a fever and some love. Shizuno's been in love a long time and has some very adorable fantasies about Yuta, which Yuta can't live up to. But, it's okay, because the real Yuta is more adorable to Shizuno than the fantasy one.

The real charm of this manga for me is the older couple comprised of Shoichi, Yuta's older brother who also works at the senbai shop, and the usually intoxicated Seigo, a family friend who had been in love with Shoichi since they were kids.

They are one of those "one part flaky but earnest and lovelorn, one part kind and responsible and terrified to get involved" couples that you just want to root for.

I actually think that the mangaka liked the older couple more than the younger couple, too, because they're drawn a bit better than the younger couple. Or maybe I am just an old lady and prefer to look at more mature male characters.

Speaking of artwork, it feels a little lazy at the beginning, but really gets much better toward the end. Some of the chibi characterizations in this are just cute as cute can be.

On the tail end of Dr. M's translation rant, I have to say that the translation for this story was really great. How do I judge that? Because, I didn't have to think about it. It was natural, well-paced and clear. I was able to get into the story and get away. Sigh.

Certain manga bloggers wish that love would just show up on their doorstep and confess itself or bumble into their workplace and have an outburst or go through some deep soul searching on their behalf. Someday. Maybe. And on that day there will be plenty of wind.

Until then, there's manga.

Full Bloom, Vol 1. Rio, Saori Mieno


Publisher: DMG
Audience: 13+ (totally fine for a younger teen; no sex, just longing)
DMG Team: Acolytes of Adaptation

Hello Dear Readers,

I've been busy, busy, busy this week and also full of insomnia. One of my goals, though is to try and review a good number of DMG titles. I'm also going to try and give props to the teams who do the work of translating/localizing these titles, so you'll see that up there in the attributes from now on.

Full Bloom, Vol. 1 is a high school love story with light (so far) themes of gender fluidity/confusion. From what I can tell there is a boy/girl identical twin pair that like to swap clothes. Both of them go by the name Nagi because their parents couldn't tell them apart as babies, which I have a hard time believing if one is really a boy and one is really a girl.

Anyway, this guy Shima Masaki, fell in love with the "girl" twin like three years before and confessed his love, but "she" ran away -- I guess to America, and Masaki has been pining after her ever since.

One day, the twins show up at the school, and Masaki's heart goes all aflutter driving him into straight up stalker mode. His friend, Akira, who I think the comic is trying to portray as a bit of a player, is often around making observations or something and his other friend, Yuki, aka Prince, a manly woman who all the girls swoon for, is also around making observations.

To be honest, I found this manga kind of hard to follow.

The twin swapping was difficult to keep tabs on. I think because the twins have the same name and you never know if the boy is the girl or the girl is the boy because they change out their hair and their clothes outside of the panels.

There was a lot of talk about which bus which character was riding, and we find out at the very end that Shima Masaki is like a super amazing karate champion. It would be nice for character building to know that earlier, I think.

I don't know about this manga. I sort of followed the story, but toward the end, I just couldn't figure out anything to do with the twins, like if it was the boy who liked Masaki or the girl or if they were both actually girls or boys. I know one of the pair was clearly annoyed about something, but I couldn't quite put it together.

This was a cute, well-drawn manga, with a plot that I think is interesting. Maybe Vol II will bring it all into clearer perspective? I hope so!

Did anyone else read this? Was anyone else completely bewildered?

Anyone?

Ata (Manga)

Title: Ata
Author/Illustrator: Tamaki Fuji
Publisher: DMG
Genre: Yaoi
Rating: 18+ Explicit Content...for some frank discussion, not for graphic sex.
EXPLICIT CONTENT NOTED!







Dear Readers, occasionally I come across a manga that I should not like, and yet...I do. Ata  is such a manga. And not because it's risky, or raunchy, or because it contains questionable aesthetic choices, because Ata doesn't really do any of those things...in a lot of ways it's just another straight-forward, predictable, sloppy-love-triangle yaoi. But it's also less than that, in that it is really badly written. And it's also more than that, in that behind that bad writing and predictable scenarios there is something raw and powerful and heart-wrenching about the art and the genuine emotion that is expressed by these characters. To be honest, it surprised me. I mean it really surprised me. I said aloud to the computer screen, and the dog who happened to be listening in, "Holy crap, am I crying?" And, Dear Readers, I was.

Let's start with the bad:
  1. Straight away (no pun intended) I am annoyed at the protagonist, Kagerou, who is complaining that his troubled, middle-school drop-out, foster-brother and childhood friend has "decided" that he is gay. So, my hackles were raised. Raised! "Decided?" Grrrr. Thankfully this attitude is diverted quickly by a more reasonable discussion, almost so quickly that I thought, maybe they didn't mean "decided." I'm fairly sure the author didn't. Unfortunately, this manga is riddled with not only so much bad writing in general, but also so many blatantly obvious proofreading errors that it's hard to tell if "decided" was a mistake or intentional.
  2.  
  3. Clunky translations might not bother every reader, but they make me want to throw things. If translation is an art (and it is), whomever translated this just handed you a placemat with a crayon drawing of a cat which wound up looking more like an eggplant with a deformity. And typos? Typos are unacceptable, and yet...

    Faught is not a word. 
    if the whole fought/faught thing were an isolated incident I might overlook it, but there are others. At one point Kagerou's name even shows up as Kagefou.
  4.  
  5. Poor translations can do more than just sound clunky. Sometimes they can change the meaning of the passage. For example, rape is a serious word. Rape is violent, brutal and is NOT about the physical act of sex as much as it is about the concepts of power, control and viciousness made physical. It is not a word to be thrown about lightly. And it is not molestation. Molestation is bad too, but it isn't rape. Molestation is unwanted sexual advances and can lead to rape, but these two things, although related, are not the same things. Language is subtle, friends, and often things that seem like synonyms to the (kill it with fire) thesaurus, are not things that are synonyms in the real world. No one is raped, thankfully, in this manga. People are, however, molested. But even that seems like the wrong word at one point. Maybe the word was coerced?  Seduced doesn't seem right? Translations ARE hard, but words need to be used wisely, Dear Readers.
  6.  
  7. Sometimes poor translations just make a mess of everything. At this point I don't know if it is the translators or the original author who should take the blame for one of the stupidest and most biologically improbable discussions of ejaculate ever. I'm assuming here, Dear Readers, because I don't read a lot of ejaculate discussions. If the translator is to blame then okay, status quo for this manga, I suppose. But if the author is to blame, then I have to ask that manga writers do a little research when dealing with the male anatomy and its functions.
  8.  
  9. The plot is predictable in a lot of ways, boyhood friendships grow into unrecognized adult affections and it takes a love triangle for the characters to realize their true feelings. Nothing special or startling happens plotwise, but...I still wound up in tears.  Let's explore why.

Kagerou doesn't seem to understand Ata at all, but he still sets himself in the role of protector, a role he took on when he and Ata were very young. Ata was a foster-child in Kagerou's home, and had a troubled past. They formed a close brotherly bond and spent much of their time together.

Little Kagerou (dark hair) comforting a  little Ata (light hair) after a bad dream. 
 Kagerou takes his role as big-brother and protector very seriously even now. He calls the men Ata sleeps with "garbage" and he's right...they are. They're abusive, manipulative, cruel and selfish. But sadly, Ata can't seem to live long without falling from one bad relationship to another. At times Kagerou even has to step in physically to protect Ata from his choices in partners.

Adult Kagerou and adult Ata after one of Ata's nasty breakups.

Ata doesn't seem to understand Kagerou either. Ata wants to be with someone, but not just someone--someone who will care for him. He discovers, to his dismay, that he has been in love with Kagerou for a very long time. The string of lovers serve to occupy his passions, because he would rather keep Kagerou by his side than lose him completely. The lovers he has are ultimately unlovable, but that's fine with Ata, who feels as if he is unworthy of even the cruelest sort of partner, since, he believes, he is betraying them all with his love for Kagerou. Kagerou is Ata's home, and he is so afraid of poisoning that home with his desire, that he shuts himself off from any real feelings. He is used to men who use and mistreat him, so he becomes nervous when one of Kagerou's friends, archery Captain Sanuki, becomes interested in him. Ata falls into a secret relationship with him, and when their affair is revealed shit hit the fan for only a second before Kagerou backs down--he only wants the best for Ata, and Sanuki is a good guy for once, someone that Kagerou can approve of.

The problem is that Sanuki knows Ata's feelings for Kagerou, and eventually tires of playing second string, forcing Ata to admit his feelings to a broken and astonished Kagerou, who has been waiting for Ata all along.

Argh! Why am I crying when this is so badly written?
I am totally ashamed of myself right now.
And that, Dear Readers, is the moment I actually start to cry.

So, despite the bad grammar and the stupid assumptions about male physiology, there's something so painfully raw and beautiful beneath the surface of this otherwise cliched story that it moved cynical old Dr. M (who does not believe in things like true love, or soul mates, or unicorns, or tragic-pretty crying moments in the rain) to tears. And that, Dear Readers, is a pretty significant thing. I just really wish the writing were better. I can't approve of this manga, or recommend it as is...the writer/teacher/reader I am will not allow me to do that, but I can say that IF you can tolerate bad writing, then the story may be worth the effort it takes to slog through this train wreck. Better yet, just look at the pictures. The pictures are very nice.

Why I Read Yaoi

Oh, Erioca With Love, I love you for your Bowie-esque-ed-ness

Yaoi, also known as boys love, shonen-ai, BL or whatever, here in the States, is a genre of story telling, specifically manga and anime, that focuses on male to male pairings involved in romantic and sexual relationships (though those two need not be mutually exclusive). Stories sometime only nod to romantic possibility and some get down right and dirty.

Yoai is written primarily for women by women. I've tried to share yaoi with gay men friends of mine, and they were just not interested. That's not to say there aren't men out there who love this stuff.

I'm just generalizing here.

Jazz's Doc and Naoki are desperately in love, but it takes them a long time to figure that out.
Why would a woman make a comic about two men getting it on for other women to read? Why would a fangirl get all squee seeing two boys kissing? I wouldn't go so far as to say that I'm all that hetronormative, but I would like to, one day, marry a man and hold hands and have a stork bring us a baby. Reading stories about sloppy sex between two guys is not scoring me many points in that department, but I'm not about to put the manga down, at least not until I finish this next scene:

Fake's Dee and Ryo share a private kiss in their patrol car.

There's some speculation and research into why yaoi has become so popular. Some folks think it has to do with women gaining more power in society. Others think it has to do with sexuality. Some apply feminist or other theories to the phenomenon. It's all really interesting.

Because I'm always thinking about stories and how they're told, I think the reason I like yaoi is because if feel like it essentially sucks gender politics right out of the narrative and the characters' relationship with the reader.

What the heck does that mean? I'll tell you! To me, it means all of the characters in a story are on equal footing. The story may be full of sex, but free of sexual politics. There's no, this is how a woman should be in relationship to a man and this is how a man should be in relationship to a woman.

The reader isn't obligated to identify with the character of her sex/gender just because that's who it's natural to identify with. She can identify with any number of characters, and in the context of stories about sex and relationships, it becomes a safe space for her (the lady reader) to explore different roles and dynamics. The reader doesn't have to ally herself with female characters who might be weak or coy or strong even, or who fall into acceptable societal roles and have the same parts that she does. Nor does she need to feel uncomfortable in forsaking female characters (and thereby rejecting a part of herself) because she embraces and relates to qualities present in the male characters.

As a younger reader/consumer of media, I often identified more with male characters. Frankly, a lot of them were more active, fun, adventurous and stoic than the female characters I encountered. We don't have to go into the psychology of this right now, but as a little girl, I spent endless hours fantasizing about growing up to be GI Joe's Storm Shadow or Snake Eyes. Luke Skywalker and Han Solo were way more capable and engaged than Leia in my mind and Indiana Jones was such a bad ass compared to any of his weaker female companions. Even my real life heroes, Malcom X, Martin Luther King Jr. and Mahatma Gandhi (look, I was a weird little kid) were men, and the smart people, too, Einstein, Jung, Freud (Yes, weird, weird little kid.).

What would Storm Shadow vs Snake Eyes slash look like?


That's not to say I didn't encounter strong female characters who I absolutely loved. Laura Ingalls Wilder, Menolly from the Harper Hall stories (Oh yeah, that's one for the deep geeks out there) are a couple. It was their fortitude I admired, less than their "masculine" strength.

I'm in my mid-thirties and I'm sure the young women who were born after me had subtly different experiences. I was raised by a parent who grew up in the fifties and sixties and though she was a wild child, I'm sure she had a lot of values about male/female relationships present in her psyche. I observed that a lot growing up, and felt very resistant to it. I was always uncomfortable with being "a girl" or "girly" because I didn't feel it represented me or who I was inside. I do love being a woman, but sometimes, especially when I was younger, I found society's definition/shaping of that gender identity very chafing.

I found a lot of relief in identifying with the male characters I saw on the big screen and television and read about in my books, but I also felt uncomfortable. I wasn't a man, nor did I ever want to be a man, and I felt a slight self-disgust, like, am I a hater of women? All of these female characters aren't like me. Am I rejecting them because they are women or because I don't identify with them? Do other people ask these questions when they read? I really hope so.

Preach it, Fumi Yoshinaga!


In Yaoi, all of the couples are "male" and in some sense genderless. This gender-less-ness creates a space free of preconceptions about what a man or woman is or should be or what-have-you. There is an equality between the characters not present in a man/woman pairing, where each member of the couple comes already imbued with a preset notion of gender identity.

When she reads yaoi, a skinny teen girl can be the brawny, strong and silent type, the pushy type, the shy, quiet type; she can be any type. She can explore whether and from which side she likes unrequited love or if she believes in love at all. She can be the top or the bottom. She can think about sex outside of a the context of gender politics. She can, and so can any other woman: housewives, day traders, grocery baggers. There's something revolutionary in that, a freedom, albeit a little strange, but healthy and fun.

A sweet, public kiss between the two main characters of "Only the Ring Finger Knows"

For our yaoi readers, I'd be interested to hear about why you like the genre?

Attacked on a Tiger's Whim - Mario Yamada


Publisher: DMG
Rating: Mature/Explicit
Genre: Yaoi, Crime, Yakuza
Warning: Sexual Violence

Okay, new rules for Shakespeare. If it says Explicit Content on the cover and it is a one shot and it mentions encounters between two men as a "nightmare," it is probably too much for this bard's delicate sensibilities. But, this bard ventured forth. She read, and now she shall review.

Main character Tomoya works at a host club despite being a top university graduate of some kind. He has a couple of bad (aka rapey) experiences with Murase, a dark, big, mysterious guy who turns out to be in the Yakuza. Despite their disturbing past, when Murase shows up a third time for some hot loving, Tomoya realizes there might be more between them than violent, unprovoked sex attacks. There might actually be love there.

Because there are a lot of yaoi stories where rape/non-con is a precursor to true love / romance, I know there is a market for it. In fact, I'm pretty sure there is a big market for it, and because we all read yaoi for different reasons, I'm going to try something new and not judge the morals of this story too harshly.

In my experience, I can remember only two stories that I really love in which non-con sex happens between the two main characters early on, and they still manage to fall deeply in love.

There's "Jazz" by Tamotsu Takamure (of "Awaken Forest") and Kakae Maeda:


and "Passion" by Shinobu Gotoh and Shoko Takaku:


Both are published by DMP/June.

"Jazz" and "Passion" are sneaky about this, "I love you so much, I'm gonna rape you!" thing. In those stories, the victims turn out to not actually be victims but mostly willing participants in their partners' attacks.

In "Jazz," a difficult, uncomfortable but elegantly told narrative, Doctor Narusawa is taken by force by his much younger patient, Naoki. It turns out he was in love with Naoki just unable to overcome his own self hatred to be anything but terrified of him. Additionally, the story telling is deft enough that the reader gets that these are really messed up characters who somehow manage to fumble their way toward each other.

In "Passion," the teacher, Shima, knows his student, Hikaru, is in love with him. The idea of a real relationship is fraught with too many complications, so he creates a situation in which his student will have to take him by force, then he uses the guilt his student feels as instruments of power and control.

I highly recommend both of the above stories if you haven't read them. They're a bit older, and a bit disturbing, but very good.

But, back to the story at hand: "Attacked on a Tiger's Whim." There's a little bit of everything here: sex, a love story, a crime story, a twist, guns, action, adventure, possibly real estate. And, it's not bad for what it is. Did I say that? Yes, I did. Because, this story does have appeal for the right readers.

The writer does a smart job of getting the reader to kind of hate Murase from the beginning. There's no appeal to him. He's a dirty rapist who comes after this innocent barely legal guy. Later we learn, it's more complicated. Both times he seeks Tomoya out are because he's going away for a long time, and he feels compelled by some deep force (love) to seek out Tomoya. Maybe I'm just imagining it, but Murase seems to get more handsome as he becomes more sympathetic, and we begin to understand him better. Is this what Tomoya sees as well?

After the initial humps (literally) the story does take off, and we see both of the main characters softening. This isn't just an erotic love story. There's also all sorts of business about the Yakuza and family bonds and betrayal and so forth. That's a lot to do in a short space, and that may be why the narrative is a bit off. However, if you're in the mood for something short, engaging and fairly dirty, I would definitely recommend this story.

Manga News: SuBLime Manga

SuBLime Release Calendar

Hey, yaoi fans, you know you're out there, don't be shy, because we at Squeefinity.com certainly aren't. If we were would we admit to having read half the things we post about? No, no we wouldn't.

SuBLime Manga, seen below, releases its first digital yaoi at the end of this month.

Or above, if you're reading the captions.



The site is in beta, so you can be on the cutting edge of something...that's always nice, and it increases your cool points. SuBLime is partnered with VIS media, and appears to be along the lines of the old BeBeautiful publications, and might be continuing some of their old defunct titles...hooray! They will be producing downloadable manga soon, so sign up for their newsletter and support this new venture...especially if you like to see boys kissing other boys.




Warning! Whispers of Love (Manga)

Title: Warning! Whispers of Love
Author/Illustrator: Puku Okuyama
Genre: Yaoi
Publisher: DMP
Rating: 16+ YA


After reading the super-adorable The Rule of Standing on Tiptoe by Puku Okuyama, I was thrilled to find another of this author/illustrator's work up for review on eManga. I am a big fan of Okuyama's style, which is expressive and almost watercolory in its shading. And the plot of The Rule of Standing on Tiptoe was so sweet and understated and genuine feeling that maybe, just maybe, Dear Readers, I got my hopes up too high?

This story is a compilation collection, with four separate stories about young love. It manages to deal with younger characters without being overly creepy (for the most part). But, something about the first story arc and title piece Warning! Whispers of Love turned me off. It's not that this story segment is bad, per se...it's that it has at its heart an obsession with ear cleaning. Yeah, ear cleaning. Now before anyone attempts to instruct me on the fact that there is a very "sweet" sort of association with ear cleaning in Japan...I already know. Here's a video below of some very pretty ladies picking waxy whatnots out of the ears of paying gentlemen.




Precious! Except maybe to my admittedly western sensibilities...also, why is that guy yelling at the end? Anyone? I don't know what's going on! Ears!

If I had a quarter for every time a upper classman begged
to "only put the tip in," I would have no quarters.


So, main character Hajime is a first year high school student, and is being persued rather vigorously by highly ranked upperclassman Eiji. Eiji just wants to clean Hajime's ears. Eiji is a little scary, and sexual innuendos abound. Okay, it's kind of cute, but the ear thing...not my cup of fetish. The other stories are better.







The second story sequence, called "My Room/Our Room" is about a guitarist named Shino who, on a whim, takes a total stranger as a roommate. Sota is upbeat college kid who ran away from home to attend school, he needs a place to stay for two weeks, and Shino takes him in. This is yaoi, so obviously the two fall in a rather timid sort of love and Sota stays on after the two weeks. It's cute and sweet, and well-drawn, but nothing that makes my stomach flip, but this sequence certainly seemed the most well-considered of the four.

The next story sequence consists of two parts entitled "Lens," and "Beyond Friendship" and focuses on one of my favorite things...two childhood friends who realize that they really love each other once they are separated. It's a little predictable, but worth a read, I suppose. There isn't really enough room or development for it too move beyond plot into anything more complex.

The last story is a little weird and seems to be about a young man who is jealous of his boyfriend's dog. Eh. Meh. Bleh. I could take it or leave it.

Overall this collection isn't bad, it just feels rushed, perhaps to the point of incompletion at times. The stories are little more than brief plot sketches and as such don't seem to be very good at capturing or maintaining my attention, regardless of how much I admire Okuyama's illustrations. It's a fast read with not much meat on its bones--nothing I'd get obsessed over.

Only Serious About You (manga)

Title: Only Serious About You 1
Writer/Illustrator: Asou Kai
Genre: Yaoi
Distributor: June
Rating: Not provided...I would put it at a PG-13 (no sex, some suggestive remarks, one sweet kiss)
Fun fact: On sale at 30% off at Akadot

Okay, this is squeeworthy. Completely squeeworthy! And it has so many of the lovely things I like: older characters, character development, complex back story...plus, it's sweet. So sweet. These are the kinds of mangas that remind me that somewhere deep inside, I am still a girl (but not very often so be warned).

The main character of this manga, Nao, is like me in that his mantra seems to be "I will work harder." This mantra is my downfall, and it is his too. Nao is a single father whose daughter, Chizu, falls ill. As a single father he must take time off of his work as a cook, bartender and waiter, to care for her, but as he is alone and strapped for cash, this becomes difficult. One of the regular customers, Yoshi, who is openly gay, a serial dater and an tremendous flirt, offers to lend his help and reluctantly Nao takes him up on it. Eventually Nao too falls ill and in typical yaoi fashion the illness brings Nao and Yoshi closer together as friends. Eventually their relationship will move from close friends into romantic territory, but not in this first volume. There are obstacles in the way that must be overcome before then.
Yoshi (in bed) finally succumbs to the flu.
It is Nao's turn to take care of him. It is at this moment that Nao
realizes that he and Yoshi are alike in their reluctance to depend on others,
and that Yoshi asking for his help is actually a big deal.
They are becoming a family.
First is the fact that Nao is not gay or doesn't realize he is--that's an issue! Nao is a divorcee with a broken heart, as such he's very guarded and unwilling to get close to or rely on anyone. Chizu is the center of his life, and he sees no point in taking time away from her for selfish romance. The second obstacle is the fact that Yoshi (who Nao says is "pretty loose with his love life") never seems to be serious about the men he dates. We discover later that the string of lovers Yoshi has is his attempt to ward off loneliness he's felt his whole life (he was raised in an orphanage)...he just wants someone to love and stay with him. Both men will  find the companionship and love they desire in subsequent volumes, but in the meantime the slow pacing and development of their relationship will keep me reading. At the end of volume one some complications arise with Nao's over-protective boss, his selfish ex-wife, and Yoshi's on-again/off-again flame.

I want volume two, which comes out late this month. This is a manga I'd read again, and a manga I'd recommend to others. I want it on my manga shelf and, Dear Readers, you should want it on yours too.


Makoto Tateno Double Feature-- How to Capture a Martini and How to Control a Sidecar (manga)

I couldn't sleep last night, so I read some brand spanky new manga from DMP. Makoto Tateno, author of me-favorites (like fan-favorites, only more self-centered) Hero Heel and Yellow (and the less than stellar Fu Shin Ga: For Love or Money) has come out with two related manga centering around bartenders. I have a strong suspicion that Tateno really likes bar-culture and cocktails. Every single one of her manga has something to do with drinking. These two offerings center on the bartenders working at the upscale bar Maria Elena.  The first volume How to Capture a Martini is pretty standard fare for her in some ways. I always appreciate that she deals with more mature characters and themes. The main characters in Martini were former lovers in high-school who parted ways suddenly when the eldest of the two, Shinobu, graduated. Naoyuki, the one left behind without even a word, has held a torch for him ever sense. So, when the two bump into each other (while Naoyuki is with his current girlfriend) at Maria Elena, Naoyuki is shocked and pleased at first, until Shinobu refuses to give him an explanation and pushes him away harshly.


Makoto Tateno likes to write about drinking!
 Martini uses the martini (actual drink) as an overarching metaphor for the relationship between the two. The first cocktail Naoyuki ever has, made by Shinobu of course, is a martini. As Naoyuki explains, he expected it to be sweeter, but found it "much harsher and drier than I expected." The sentiment is a clear reflection of Naoyuki on Shinobu's character. He has been turned off by cocktails ever since, and yet, he forces himself into a position at Maria Elena to be near Shinobu again. It turns out that the martini Shinobu made all those years ago was intentionally extra-dry, something he knew Naoyuki would not like in order to push him away. Shinobu spends a lot of time pushing Naoyuki away, and indulging himself in a string of meaningless relationships. Ultimately, though, Naoyuki realizes that Shinobu's tactics hide his true feelings for Naoyuki. He begins to realize that the reason Shinobu ran from their relationship so many years ago was because he was scared.

Afraid of the pressure of a relationship and what Shinobu sees as inevitable heartbreak, he decides to abandon the relationship before he is destroyed. Happily the two, due to the sort of bizzare coincidences and intrigues that ONLY exist in manga, reunite and devote themselves to the love they abandoned so long ago.

Overall, it wasn't a bad manga, it was a little heavy-handed at times, but it didn't shy away from the kinds of mature issues that Tateno tends towards. The only thing I didn't like was the odd side-stories. They were weird, and incestuous, and fetishistic in a way that was fairly creepy. This should have been a sign. The sign should have read: JUST STOP HERE, DR. M!! But, I didn't stop there, did I, Dear Readers? No. I decided to read the second story.

I assumed, incorrectly, that How to Control a Sidecar would be a little bit of fun and minor angst from some of the other bartenders at Maria Elena. This time straight, super-star bartender Kousaka was in the spotlight. He was only a minor character foil to Shinobu in Martini, and seemed pretty standoffish and disinterested in that volume. It turns out that he's not so much standoffish as ridiculously oblivious to the kind of bar he works in. He fails to realize that about 90% of Maria Elena's clientele is gay. Even his co-workers find this oversight shockingly unobservant. It seems lighthearted at first; a clueless character getting hit on by all sorts of men without realizing the implications of their conversations. However, Dear Readers, it is NOT NOT NOT NOT NOT that kind of manga.

This is horrifically graphic stuff, not light hearted at all. And it includes a graphic depiction of extremely non-consensual sex which although treated seriously spins into something I am entirely uncomfortable with. Kousaka is attacked, beaten and raped by a customer, and to my distaste, not only forgives his attacker, but becomes involved in his life. NOT COOL! NOT COOL! NOT COOL! Kousaka isn't just oblivious, he's an idiot. He decides to "forget" it happened. AND he eventually falls in love with the man who raped him. Everything ends happily ever after...except that he was raped and beaten. I don't even know what to say about this except...every part of me objects to this story line. Traditionally Tateno deals with some dark themes, and some complications that seem troubling, but this crosses a line for me. Dr. M disapproves.

So, by all means, read How to Capture a Martini. It didn't blow my hair back in a manga-esque wind scene, but it does have some interesting moments. Avoid the creepy side stories in it though, you'll thank me when you have avoided reading about an incestuous relationship involving cat cosplay. And be seriously cautious about How to Make a Sidecar. Neither of these manga are appropriate for readers under 17, and I don't think How to Control a Sidecar is appropriate for any audience. YOU HAVE BEEN WARNED!

The Color of the Clear Blue Sky

Publisher: DMG
Audience: 16+


Thank goodness I read this manga right after writing my last review. It stands in clear counterpoint. The material could have been creepy, but it's not. Sakae, a student teacher struggles with the deep love and affection he has felt for his former elementary school teacher and mentor, Fukada. As adults they work side by side at the same school where years earlier they were only teacher and student.

The story is cute and sweet. Sakae is fragile but hard working. People always seem concerned with his health. Fukada is much changed by the years that have gone by since Sakae was his student. He's not as clean cut, or as visibly dedicated to his students. There are rumors that he was stalked.

Sakae doesn't struggle so much with his own sexuality as with his feelings. Is Fukada a former teacher, a father figure or a potential lover? In the past, Fukada said he would be Sakae's strength. Will he actually be able to fill that deliver on that promise? Fukada is a different person than Sakae remembers. Can Sakae accept him as he is now?

This is a cute little manga with not too much angst, appropriate longing, mutual affection and consent, not overly graphic, a happy ending, and my "I just want to read something adorable" stamp of approval.

Enjoy.

Ai No Kusabi -- Light Novels -- Volumes 1-3

Why can't we just be two consenting adults who happen to be into some really sick stuff?

Publisher DMP
Graphic: 18+ 

A futuristic dystopia with designer humans, ghettoized youths, institutionalized homosexuality, cold blooded, pure-bred richies, and tons of graphic sex and corruption. This sort of sums up Ai No Kusabi, a classic yaoi series penned by Rieko Yoshihara.

I'm writing this review having read only half the light novels. I did see the OVA a number of years ago; it wasn't that great. I guess I was hoping the novels would somehow make up for it. They didn't do it for me.

So, I've probably said this before on the site, and if I haven't, I'll just say it now: I don't like stories where characters are underage, unless its a teenage drama and they're working through relationship in a consensual way with a person their own age.

Yep, I'm a prude that way.

I don't understand why the author just can't make the character older? She has that power. She is the writer. She can tack a couple years on there, no problem. And, that's not to say she can't complicate it with allusions to a messed up past, lurid details that enrich the story and move it forward, etc. Make there be a reason he's so young or show him some sympathy. Sure, he had to grow up early, but he's still a kid.

Ugg, I guess I should tell you who I'm talking about. Rikki, the fifteen year old leader of a gang of street toughs, Bison:

Hi, I'm Rikki, as portrayed in the OVA (as an adult).

Ai No Kusabi is focused around the "relationship" Rikki forms with Iason, a pure blooded upper crusty "Blondie" who basically kidnaps Rikki from the streets, breaks his spirit, humiliates him and forcibly does it with him a lot in graphic and painful ways. There's all sorts of explanation about castes and different groups and gambling and the underworld and human auctions and people who are pets, but these are all really just trappings for the sado-masochistic relationship at the center of the story.

Rikki's age isn't mentioned in the OVA, but I did get the impression he was much older than the character in the book, so I didn't feel as uncomfortable watching it, even given the subject matter.

I know that the world in which this story takes place is different and that the society is a lot more corrupt and blah, blah, blah but I just don't find the relationship between Rikki and Iason compelling. I feel bad for Rikki and I think Iason is slimy and gross.


Iason as portrayed in the OVA

Now let's talk about the writing. Hrm. I can't figure out if it is the original author's style to be so excessive or the translator's. Seriously, one writer to another: keep it simple. I know the writing was supposed to reflect the society's excess, but gee whiz: this is so florid. Also, this writer would benefit from one creative writing class in which the phrase "SHOW. DON'T TELL," was pounded into her brain. There is enough exposition here to make me cry and fall asleep at the same time.

Maybe this is why I only got through three books.

I will say: raise the age of Rikki. Make Iason not so gross and more sympathetic. Clean up the writing both stylistically and sex-wise. Cut the length of this by a half or a third, and it might be a good, interesting, even literary sci-fi-ish type story.

I hear a thirteen episode anime is coming out in 2012. Will it redeem this tale? I do not know. I do not care to guess. Now I am off to write and ponder tomorrow's breakfast.