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Showing posts with label shakespeare. Show all posts
Showing posts with label shakespeare. Show all posts

Kyo Kara Maoh! -- Manga You'd Like to See More of

Dumb Bishounen Fun
OMG, Ya'll! I just love Kyo Kara Maoh! Even I admit that it is a little weird that I really love a silly male harem story about a boy who gets flushed down a toilet by bullies into a fantasy world where he is the king of the demons and has crazy super powers.

Or maybe it is not weird at all.

This manga and its accompanying anime utilize pretty much every male harem stereotype and theme in service to an adorable, fluffy tale with likable characters and adventures. This manga is chock full of dumb things and unnecessary semi-nude scenes that just kind of happen but are completely innocent, and I love it.

What's happening here? Oh, you know, just some friends chilling at the hot springs.
There is an admirable story line about homogeneity vs difference. You know, humans and demons, can they ever get along? Why are people so mean to people who are different? So, I guess some weighty topics like xenophobia and genocide are covered. But hey, who cares about that serious stuff because seriously, this comic has Bee Bears!!!! Those are bears that are also bees!

Oh, what are those? Bee Bears!
Bee Bears too light and fluffy? How about some angst?

Something sad is happening here.

There is plenty to go around. Demons live a long time, so they have all sorts of drama. Lifetimes. It's good stuff.

Anyway, the manga was licensed by TokyoPop, then TokyPop went under, and the manga did too. Oh, well. I don't know if it will get published in the future because it really is a lowest common denominator story, which can fair well or poorly depending on the times.

Rage aka Reiji - Most Annoying Character

I am so ANNOYING!

I just hate yandere characters, and Reiji is firmly in this category! Reiji is a minor character in Gravitation or Gravitation EX. She's an American girl, and Head of XMR Records, the label Bad Luck is signed to. She falls violently in love with pop singer Shuichi Shindou when he comes to America for a short time after breaking up with heart throb romance novelist Eri Yuki.


There is no way I could possibly get any more ANNOYING!

Reiji carries a bazooka or other weapon. Most Americans in this comic do. If I remember, she also has a giant flying mecha panda. But I kind of blocked it out, because I hated Reiji's whole role in the comic so much. I think, Reiji was really the embodiment of what went wrong with the comic, when it ceased being fun and just started to be annoying. Thus, she became the target of my dislike. Please do not be mad at me when I say this: Gravitation should have ended volumes before Reiji was ever committed to paper.

I mean how many times can Suichi and Eri break up and get back together? How many times does Riuichi act like an idiot savant then put on a genius performance? How many creative crises can the characters collectively have, and how many overbearing, obnoxious, gun toting Americans can show up before the whole thing just falls apart?

I wonder if Maki Murikami can even draw me with my dumb mouth shut?



Reading Reiji is kind of like having to watch this video over and over again until you barf blood out of your ears:



Also, lesson learned from working on this post. Never do a Google keyword image search of "Gravitation Panda" without your safe search filters on. Seriously, you do not want to see it. Fun Fact: Maki Murikami did her own doujinshi of Gravitation, Gravitation Remix, which is super-duper-duper-duper-smutty, and many of its pages show up under that search.

Mizuki Ashiya - Hana-Kimi - Favorite Manga Character

For You In Full Bloom
Happy Lunar New Year! It's the Year of the Snake, of which I am one, which makes it a most awesome year indeed!

Dr. M posed the question, who is your favorite manga character? And, I thought about it for a  long time, weeks actually. I think, possibly, maybe, my favorite character is Mizuki Ashiya of the beloved manga Hana-Kimi aka For You in Full Bloom.

Hana-Kimi was one of my early favorite mangas for its sweet storyline and gender bending themes. Mizuki Ashiya is a Japanese girl who lives in the US. She is infatuated with a high school high jumping champion Izumo Sanyo who she saw on television. She decides she wants to get near to him and admire his high jump up close. Only a few things stand in her way.

1) Izumo lives in Japan.
2) Izumo goes to an all boys school.
3) Izumo was injured and doesn't high jump anymore.

For Mizuki Ashiya, these are but small obstacles. She convinces her parents to let her move to Japan to go to school. She cuts off her hair and pretends to be a boy. Then she enrolls in Osaka High School, where good fortune would make her Izumo Sanyo's dorm mate. Antics ensue.


Adorable Mizuki Ashiya


Mizuki Ashiya is very adorable, a total ditz, and has a never-give-up attitude that I just love. When I was first sentenced to a cubicle as a full-time adult, I kept a picture of her with her hand held up in the victory pose saying, "Do your best!" Why? Because she's inspiring! She's the kind of character that changes everyone she meets for the better. She's deep enough to have rough moments, and she's resilient enough to come out on the other side with a smile.

I'd love to tell the entire story, but I won't! I want you to read it...or see it! There is an equally adorable live action Taiwanese version of this, which I highly recommend. And apparently other live versions from Japan and Korea. But, this is the one I like:

Hanazakarino Kimitachihe


Manga Character You are Most Like: Kantarou Ichinomiya

Haruka and Kanterou

I'm cheating just a little here, since I am more familiar with Tactics the anime rather than Tactics the manga, but the truth remains the same. I'm probably most like Kantarou Ichinomiya the main protagonist of both. Kantarou is cute but clever. He is a person who at surface doesn't seem to have too much depth, but just below there is a ton going on.

In the story, Kantarou is both a folklorist and a "part-time" exorcist. He can see and talk to youkai, little ghosties and demons. Youkai are considered kind of pesky, but Kantarou has a way with them. As a kid, when he was ostracized by humans. The youkai were there, and when he grew up, he even lived with one, a fox demon, Yoko. She is adorable.

Yoko: Tactics
Kantarou is very smart and manipulative, but kind hearted. He frees a demon eating tengu, Haruka, and becomes his master. Adventures ensue, and later angst, which is the way of manga. The name of the manga comes from Haruka, who describes Kantaurou as a tactician for his distinct ability to get the best of the situation and plan ahead. I think this could also be said of me.

Anyway, for those who aren't familiar, it's a fun story, and perhaps a bit monster of the weekish, but that is just fine by me.

First Manga? From Eroica With Love



From Eroica With Love



This isn't my very first manga, but it's the first one that caught my attention after years of reading American comics.

My first impression: Is that David Bowie? What is that squiggly feeling inside me?

No. It is not David Bowie. It is Earl Dorian Red Gloria, an openly gay English art thief, and I think I am in love. And that other guy, that is Klaus. He is German and totally full of angst. He likes rules and despises the Earl, except that he secretly is totally as in heart with him as I am.

The Fabulous Earl


I love the silliness of this manga, and its beautiful 1970's aesthetic. There is something very glam and very girly and very jack boot rock 'n' roll going on here. From Eroica with Love was my gateway manga. It was odd enough to pull me out of my indie American and superhero comics malaise and show me there was something new in the world.

Oddly, I've only read three issues of this manga, even though it just goes on forever and ever. I'd be interested to know if any of our dear readers have picked this up and what their impressions are?


Klaus



A Happy New Year and a Challenge!

Greetings Dear Readers,

Image from http://robustwineblog.typepad.com
A nice site on all things wine by Master Sommelier Stanley Browne

Welcome to 2013, year of the...unapocalypse? In celebration of the world not ending, and all things anime and manga, I am challenging my fellow Squeefiniters, Mr. Empty and Shakespeare to a Mangathon. For 30 days we will each be sharing our responses to the following categories:

01. Your very first manga
02. Your favorite manga
03. Your favorite mangaka
04. A character you feel you are most like (or wish you were)
05. A manga you would recommend to everyone
06. Your favorite character
07. A manga you disliked enough to stop reading
08. The most annoying character
09. A manga you’d like to see more of
10. A manga that makes you fluffy and happy when you read it
11. Your first Manga crush
12. A manga you used to love but don’t anymore
13. The most epic scene ever
14. A manga that makes you cry.
15. The saddest scene
16. A manga you feel you should read but can’t
17. A manga that you feel embarrassed about liking
18. Favorite BL/yuri couple
19. A manga that you disliked at first but came to enjoy later on
20. A manga you started out enjoying but ended up not liking as much
21. A manga that deserves more recognition
22. A manga you wish didn’t exist
23. Best manga  villain
24. The best long manga series
25. The best manga oneshot
26. The last manga you read 
27. A manga you would never buy
28. A manga you think is so brilliant it’s like literature
29. A manga you read that was just plain weird
30. A manga that isn’t licensed but SHOULD be

Maybe we can even do a little give-a-way at the end of the 30 days to celebrate. Be sure to keep up and chime in...there will be arguments a plenty, I'm sure. 

Let the Mangathon BEGIN! 

We'll let Revy from Black Lagoon fire the opening shot
because she does like to shoot things.
Duck!




Only Yesterday - Studio Ghibli

Only Yesterday
Hands down, one of the best things about living in a city is access to good films.

This week, California Theater in Berkeley played host to the full catalog of Studio Ghibli films. I skeeved off work early to go see my favorite, "Only Yesterday," which, next to "Rushmore,"(a Wes Anderson, not Studio Ghibli movie) is my second favorite film. Okay, maybe they both vie for first.

"Only Yesterday," is the story of salary woman Taeko, who, at the age of 27, works in an office in Tokyo and is not yet married. Although, "marriage" as it is, is not the end goal of this film. But, why do I like it. Hmmm, I'm a salary girl working my butwaing off and dreaming of a more pastoral and creative life. Easy. Taeko and I are kindred. She's a sweet, sensitive weirdo. So am I. Her ten-year-old self follows her around. My eight-year-old self follows me around. She's single. I'm single. She's bad at math. Holy Crucifixes! I AM SO BAD AT MATH, especially dividing fractions, which Taeko is really, really bad at.

People who can divide fractions, Taeko says, seem to end up normal. People who cannot, struggle.

YES! Girl, I feel you. What else? Taeko loves farming. She's had her share of city life. Me too. Taeko's family does not understand her. My family does not understand me! Little things affect her lastingly. Really, honestly, want to understand me? Study Taeko.

That aside, what a lovely film. It's done not in a typical "anime" style but more with an eye toward realism. Only in fantasy are the characters stylized. It's a masterpiece of animation and also the kind of narrative  I could imagine in live action.

Dear Hollywood, you will never make this movie as awesomely as the anime, but something in me dares you to try.

It's the kind of movie that would easily translate into a popular plot, rom/dram or com/dram: sweet, smart, single career woman going nowhere but straight to the middle, and not particularly interested in clawing her way to the top, spends a couple of weeks straightening out her city brain on an organic farm. She works through her past while falling in love with an earnest and enthusiastic farmer who only recently left the city to grow organic rice and fruit. The small community falls in love with her, too. Antics/dramas ensue.

Today someone told me that the reason it was not licensed here in the US is because it mentioned menstruation. Yup. Girls get periods, and since this is a coming of age film about a girl, that takes up a large portion of the film, and you know what: it's great. Also: Girls Get Periods!!!! Okay, cool. Now that's out there, see this film. SEE IT. SEE IT. SEE IT.

The Dark Side

Angsty much?
Sometimes it's easy to forget the awesomeness of adulthood. Yeah, I said it, but it's true. When you're an old lady, a singleton with few real obligations, you get to get to manage your own life. You define your own obstacles. You decide what's important, when to have fun, and when to be a total stick in the mud. Of course, it also means things like, you have to go to work to support yourself; you really should be available to the people that you care about and the people that care about you; you have to get groceries, pay bills, grumble about politics, and shake your fist at young pimple faced skateboarders in the park.

The last few months, I've been letting myself fall into the "being an adult sucks" version of being an adult, you know the: This commute sucks! I can't do this alone! Get off my lawn! side of being an adult. This is not awesome. I also feel like I'm always scowling and wearing black and listening to sad power music with great lyrics. I spend a lot of time goal setting and goal failing, riding trains and making up narratives about my fellow passengers while wondering if I'll ever pay off my student loans. Yuck! The fact is, I'm in a messy space. And my tastes have followed suit.

It's not surprising that I'm not reading much Yaoi lately or even just regular ol' run of the mill adorable Shonen and Shojo manga. I'm reading the French Films of manga, the dark stuff, the unhappy, tortured, arty stuff, and I LOVE IT!

My favorite manga artist right now is Yoshihro Tatsumi, and if you haven't read his collections of manga published mostly by Drawn and Quarterly, I highly recommend you do. I think my last post was about  The Push Man and Other Stories, and while this remains my favorite, I've picked up a few other great volumes since then.

Abandon the Old in Tokyo is an excellent collection. The centerpiece story resonated with me. It's about young man who grows up with an abusive mother who falls ill later in life. Forced to care for her in a way he was never cared for, the son consistently sacrifices himself for her. When he falls in love, he finally decides to abandon his mother in the most cruel way, so he can marry his girlfriend, but guilt pulls him back. Good-Bye contains some longer, darker stories. I loved "Sky Burial," a particularly well illustrated story about death and nature.

I'm also working on Osamu Tezuka's Book of Human Insects, which also seems suitably dark to match my mood. I'd love some recommendations for some great, deep, dark, angsty, arty manga! Anyone?

The Pushman and Other Stories - Yoshihiro Tatsumi



If you've ever been to a manga store or even a comics shop, you've probably seen Yoshihiro Tatsumi's comic A Drifting Life. The volume is huge and the cover has an image of a manga artist bent over and drawing. That book, an autobiographical exploration of the artist's life, was drawn over a decade and is considered a classic, which is probably why it is so ubiquitous.

I have never read it.

I've always wanted to, but I always encounter the book most inconvienantly, normally when I'm on foot and already have way too much in my backpack. I usually give the book a once over, wish I owned it, and move on. Still, I've always been curious about Tatsumi. His art is simple, not your typical manga, which I've been steering away from lately anyhow. When I had the opportunity to pick up The Pushman and Other Stories republished by Drawn and Quarterly, I did so without hesitation.

This book isn't for everyone, but it is for me. It's dark. It's sick. It's slightly absurdest. Think Kafka meets Lars von Trier and Patricia Highsmith for tea and some pen and ink drawings.

For example, "The Pushman," the title story of the collection, is a short piece about a man who has the job of pushing commuters onto trains in order to pack them as full as possible. Anyone who has ever ridden a full commuter train or bus can testify to the anxiety, however short lived, induced in such a situation.

In "The Pushman," this feeling is pervasive. At one point, the pushman helps a woman who tears her blouse in the commute frenzy. They go on a date and sleep together. Later, she introduces the Pushman to her girlfriends, who rip and tear at him in a sexual frenzy reminiscent of the heated, tight, urgent commute.

Later, the Pushman finds himself pushed onto one of the trains by accident. Squashed between squirming human bodies, he proclaims, "I'm a Pushman."

I read this story on BART. It gave me the hee bee jee bees.

I think these stories are brilliant. You will not, however, if you can't handle sex, violence, human failings or aborted babies. Consider carefully before reading.

And Now for Something Last Minute... "Artifice" by Alex Woolfson

Since some of us are big fans of yaoi here at Squeefinity, I thought I'd recommend checking out an American webcomic that takes on the genre. You might consider Alex Woolfson and Winona Nelson's Artifice currently available online. Here is what the author has to say about the story:

Artifice is about Deacon, a prototype android soldier so advanced he is referred to as an "artificial person." On one of his first missions, Deacon was ordered by his corporate masters to eliminate a team of scientists who knew too much—and he has failed spectacularly. Not only did he let one of the targets live, he attacked the team sent to retrieve him. Now the Corporation wants answers and they bring in the brilliant robopsychologist Dr. Clarice Maven to get them—giving her the power to make sure Deacon never fails the Corporation ever again.

As Deacon tries to keep his secrets and the doctor cuts through his defenses, a cunning game of cat-and-mouse begins. The question is: will Deacon be able to resist Dr. Maven’s power and protect the only thing that has ever truly mattered to him?

Sounds pretty good to me! I've been a bit down on some yaoi lately because it seems to fall straight into hentai or pron. What I'm looking for is a good thought provoking story where the main characters just happen to be gay. So, yeah! Good for this one. I look forward to reading it, and I hope you do, too.

And for those with more interest, the author is running a very soon to be finished Kickstarter, which you can support!

Black Butler 8 (Manga)


Dear Yana Toboso,

Please don't lose your stuff, okay? I'm asking with all of my dear little heart. There are so many manga I super-duper loved that just petered out around Vol. 8. Please don't let that happen with Black Butler.

I already have to defend this comic with my friends who call it shotacon, (and well, it kind of is but not in that gross sexy kind of way, at least not yet. Please don't let that happen! I'm begging you.).

You see, Yana, it's like this, I just don't think much happened in this volume. It was mostly a bloodbath with Sebastian at the fore and Ciel calling the shots. Yes, I know that you gave us some background on the Phantomhive servants. I appreciate that. They are adorable and bad ass.

But it just dragged on forever, and you had Sebastian kill all the adorable circus kids, who you spent the whole previous volume fleshing out. It just felt like a big build up to an easy end, like you were all: well, this storyline is tiring and going nowhere, I will just kill everyone. Then I'll have Ciel act weak and vulnerable and have Sebastian give his wicked little smile and carry him around like a nice person. Then, I'll put in a fiery, windy kind of epic scene where I show off their contract.

Then something happened with the reapers, but I was so spent from the bloodbath that I didn't pay attention, and then I really didn't pay attention to the last chapter with the tailor, which I'm sure every fan girl on the planet would like to punch me for saying. Sorry. It was boring.

Please, Yana, please, please, please, don't let this manga get boring! Fight for a good strong story that's worth reading! Do it! I believe in you!

<3 William Shakespeare

Rainy Day Love -- Satomi Konno


Publisher: DMG
Audience: The cover says 16+ (Due to the amount of naked stickiness, I say 18+)
Localization Team: Cynical Pink

Here on the West Coast, certain manga bloggers aren't immune to romance problems of their own. Sometimes, said manga bloggers, who will not be named, want to just read a cute and ideal love story and fantasize for a moment that love is just that easy.

Tonight I had the opportunity to read Rainy Day Love. It is adorable. Yes. I know, crabby Shakespeare who usually just wants to be critical of everything is saying: this manga is pretty darn sweet.

Older Teen Yuta works in his family's senbai shop. When his younger highschool buddy Shizuno appears, Yuta realizes he has feelings for him. There's not too much struggling here, not too much angst. There's just a little fumbling, a fever and some love. Shizuno's been in love a long time and has some very adorable fantasies about Yuta, which Yuta can't live up to. But, it's okay, because the real Yuta is more adorable to Shizuno than the fantasy one.

The real charm of this manga for me is the older couple comprised of Shoichi, Yuta's older brother who also works at the senbai shop, and the usually intoxicated Seigo, a family friend who had been in love with Shoichi since they were kids.

They are one of those "one part flaky but earnest and lovelorn, one part kind and responsible and terrified to get involved" couples that you just want to root for.

I actually think that the mangaka liked the older couple more than the younger couple, too, because they're drawn a bit better than the younger couple. Or maybe I am just an old lady and prefer to look at more mature male characters.

Speaking of artwork, it feels a little lazy at the beginning, but really gets much better toward the end. Some of the chibi characterizations in this are just cute as cute can be.

On the tail end of Dr. M's translation rant, I have to say that the translation for this story was really great. How do I judge that? Because, I didn't have to think about it. It was natural, well-paced and clear. I was able to get into the story and get away. Sigh.

Certain manga bloggers wish that love would just show up on their doorstep and confess itself or bumble into their workplace and have an outburst or go through some deep soul searching on their behalf. Someday. Maybe. And on that day there will be plenty of wind.

Until then, there's manga.

Full Bloom, Vol 1. Rio, Saori Mieno


Publisher: DMG
Audience: 13+ (totally fine for a younger teen; no sex, just longing)
DMG Team: Acolytes of Adaptation

Hello Dear Readers,

I've been busy, busy, busy this week and also full of insomnia. One of my goals, though is to try and review a good number of DMG titles. I'm also going to try and give props to the teams who do the work of translating/localizing these titles, so you'll see that up there in the attributes from now on.

Full Bloom, Vol. 1 is a high school love story with light (so far) themes of gender fluidity/confusion. From what I can tell there is a boy/girl identical twin pair that like to swap clothes. Both of them go by the name Nagi because their parents couldn't tell them apart as babies, which I have a hard time believing if one is really a boy and one is really a girl.

Anyway, this guy Shima Masaki, fell in love with the "girl" twin like three years before and confessed his love, but "she" ran away -- I guess to America, and Masaki has been pining after her ever since.

One day, the twins show up at the school, and Masaki's heart goes all aflutter driving him into straight up stalker mode. His friend, Akira, who I think the comic is trying to portray as a bit of a player, is often around making observations or something and his other friend, Yuki, aka Prince, a manly woman who all the girls swoon for, is also around making observations.

To be honest, I found this manga kind of hard to follow.

The twin swapping was difficult to keep tabs on. I think because the twins have the same name and you never know if the boy is the girl or the girl is the boy because they change out their hair and their clothes outside of the panels.

There was a lot of talk about which bus which character was riding, and we find out at the very end that Shima Masaki is like a super amazing karate champion. It would be nice for character building to know that earlier, I think.

I don't know about this manga. I sort of followed the story, but toward the end, I just couldn't figure out anything to do with the twins, like if it was the boy who liked Masaki or the girl or if they were both actually girls or boys. I know one of the pair was clearly annoyed about something, but I couldn't quite put it together.

This was a cute, well-drawn manga, with a plot that I think is interesting. Maybe Vol II will bring it all into clearer perspective? I hope so!

Did anyone else read this? Was anyone else completely bewildered?

Anyone?

New Reviewer Mr. Empty and Other Squeefinity News

That's a sad name, isn't it? Oh, Dear Readers, Shakespeare and I have invited Mr. Empty to join us in posting reviews of anime and manga to Squeefinity.com. You'll find his first review, a "First Impressions" look at the Code Geass-esque Blood Blockade Battlefront, below. And we guarantee that although his name is Mr. Empty, his heart is not a bleak and sorrowful place (well, not all the time).

Why add someone at all? Well, to be honest we figured, why not? Shakespeare and I have our own review styles, and perspectives, so we thought it couldn't hurt to add another voice to the discussion on Squeefinity.com. We look forward to more of Mr. Empty's reviews as he becomes part of the Squeefinity team. What he may not know is that he's on double-secret probation until the swearing in ceremony, where we honor the long, century-spanning history of The Super-Secret and Semi-Loyal Order of Squeefinite Squeedom. It begins with the ceremonial recitation of the secret pledge to watch one's html "so Shakespeare doesn't have to fix it later," and ends with an arm-wrestling competition with James (which everyone wins because he has surprisingly little upper body strength).

So, that's new, but we're also planning some other new things to keep Squeefinity on the pulse of...well, we're planning some things. Here's what's coming down the pipeline:

An academic/writerly discussion of translations by yours truly, Dr. M, in which I complain a lot about the poor translation jobs I've been seeing lately, and admit that translating ANYTHING is actually a very difficult process.

Another Winchester Wednesday post by the often absentee James Parker Lombard. This one on genre and genre-busting.

More stunning discussions by Shakespeare, including a review of Saori Mieno's Full Bloom. 


A review (or possibly even reviews...yes, plural) of the classic manga/anime series Fruits Basket in anticipation of the February British re-release by MVM.

Mr. Empty's rebuttal to my claims that FLCL is pointlessly annoying. Will he prove me wrong? Maybe.

Remember to follow us here on Blogger, elsewhere on Twitter, circle our page on G+ and add us to your RSS feed to keep on top of all the haps!

Join us, Dear Readers!
Together we will be victorious and win the all the internets!





Un-Go (Anime - 2011) Season Overview

Designed by Yun Kouga, Un-Go's main characters: Shinjuurou and Inga


When it was announced last year that Bones would be producing an anime with character designs by Yun Kouga I nearly split a brain node. If you are a fan of anime, you'll know that Bones has brought us such classics as Full Metal Alchemist and Full Metal Alchemist: Brotherhood, Ouran High School Host Club, and Soul Eater, to name a few. Last season, they produced No. 6, a thought provoking dystopian series that we covered on this blog.

And for those of you who know me, you might remember that I'm kind of in love with Yun Kouga. She's a great writer and an amazing artist. She's probably best known for the unfinished and thoroughly haunting, Loveless, as well as Earthian and Gestalt. Yun Kouga's characters are long and lean and whispy. They remind me of rebar. They look like they could just break, but by force of will, they can hold skyscrapers in place.


Inga in his child male form


The plot is not based on an existing manga. It comes from Ango Sakaguchi's novel Meiji Kaika Ango Torimono-chō  or is inspired by it. I don't know anything about Ango Sakaguchi except that he was born in the early 20th century and was an intellectual and novelist. I believe his novels center around themes of war.


Inga in her adult female form


The anime, Un-Go, takes place in current day but alternate-Japan. What we  know at the beginning is that there was a big war, something on the scale of a World War, and some Post Patriot Act and SOPA/PIPA-esque legislation has been enacted to protect the country. We know our history is the same at least until 2001, as the anime mentions the terror attacks of September 11. War and terrorism are big themes in this anime (and some of other of Bones' projects) as is information privacy, censorship and the internet in general. As a fan of dystopian themes, this should be right up my alley.

Within this setting, Un-Go is meant to be a detective story, which also very much suits my tastes. Main character, "The Defeated Detective," Shinjuurou Yuuki, and his strange looking assistants, clearly supernatural, Inga and artificially intelligent, Kazamori Sasa, find themselves pitted against the reclusive, beloved and suspiciously always right, JJ Systems Chairman and go-to detective, Rinroku Kaishou.

Rinroku has a daughter, Rie Kaishou, who plays heavily into the storyline. She, like Shinjuurou, cares deeply about the truth, which often causes a deep conflict within her because her father cares less for the truth than shaping a peaceful reality.

A post-war, dystopian mystery with supernatural elements, character designs by Yun Kouga and produced by Bones? Seriously, this should be my dream anime!

Kazamori in her stuffed bear form


Unfortunately, I was underwhelmed. The season was only 11 episodes, not long enough, in my opinion, to present such a complicated plot and connect the audience to the characters. This happened with last season's Bone's project, No. 6; the short season just afforded too little space to convey any real heart.

Kazamori in her android form


While I normally complain about "monster of the week" types of  shows, I think Un-Go would have benefited from a story ark that incorporated  something like this. First establish the bond between Shinjuurou and Inga and the audience, as well as cement their place as crack detectives with a series of "mysteries of the week." Later move into an over-arching plotline. 

I like Shinjuuro's design. He's nondescript especially next to Inga, but he has lovely eyes.



This show made me think about some other series with pairings between humans and supernaturals: Tactics, Death Note and Black Butler. All of these series benefited from allowing the audience to linger with that relationship for a while before introducing a complicated plot. Unfortunately, I didn't feel invested in Shinjuurou or Inga at all. In fact, I didn't really understand Shinjuurou's motivations. I think he was in the war. I think he loves people and "the truth," but I want to know why he and Inga are so bonded? Then I can care about what they are doing.

Beyond that, the mysteries were not that engrossing. The writing could have been greatly improved upon.

Un-Go's "Novelist" bears a striking resemblance to another Yun Kouga character.


Do I think this show is watchable? Sure. I got through all 11 episodes in one sitting. In a vacuum, I really like the characters. I love watching Yun Kouga's designs in movement. I just felt disappointed about the production as a whole. 

Hmm, Loveless' Soubi looks a bit like Un-Go's "Novelist"

One last thing, the music/score for this anime was great. The closing song, Fantasy by LAMA, is very catchy:

Why I Read Yaoi

Oh, Erioca With Love, I love you for your Bowie-esque-ed-ness

Yaoi, also known as boys love, shonen-ai, BL or whatever, here in the States, is a genre of story telling, specifically manga and anime, that focuses on male to male pairings involved in romantic and sexual relationships (though those two need not be mutually exclusive). Stories sometime only nod to romantic possibility and some get down right and dirty.

Yoai is written primarily for women by women. I've tried to share yaoi with gay men friends of mine, and they were just not interested. That's not to say there aren't men out there who love this stuff.

I'm just generalizing here.

Jazz's Doc and Naoki are desperately in love, but it takes them a long time to figure that out.
Why would a woman make a comic about two men getting it on for other women to read? Why would a fangirl get all squee seeing two boys kissing? I wouldn't go so far as to say that I'm all that hetronormative, but I would like to, one day, marry a man and hold hands and have a stork bring us a baby. Reading stories about sloppy sex between two guys is not scoring me many points in that department, but I'm not about to put the manga down, at least not until I finish this next scene:

Fake's Dee and Ryo share a private kiss in their patrol car.

There's some speculation and research into why yaoi has become so popular. Some folks think it has to do with women gaining more power in society. Others think it has to do with sexuality. Some apply feminist or other theories to the phenomenon. It's all really interesting.

Because I'm always thinking about stories and how they're told, I think the reason I like yaoi is because if feel like it essentially sucks gender politics right out of the narrative and the characters' relationship with the reader.

What the heck does that mean? I'll tell you! To me, it means all of the characters in a story are on equal footing. The story may be full of sex, but free of sexual politics. There's no, this is how a woman should be in relationship to a man and this is how a man should be in relationship to a woman.

The reader isn't obligated to identify with the character of her sex/gender just because that's who it's natural to identify with. She can identify with any number of characters, and in the context of stories about sex and relationships, it becomes a safe space for her (the lady reader) to explore different roles and dynamics. The reader doesn't have to ally herself with female characters who might be weak or coy or strong even, or who fall into acceptable societal roles and have the same parts that she does. Nor does she need to feel uncomfortable in forsaking female characters (and thereby rejecting a part of herself) because she embraces and relates to qualities present in the male characters.

As a younger reader/consumer of media, I often identified more with male characters. Frankly, a lot of them were more active, fun, adventurous and stoic than the female characters I encountered. We don't have to go into the psychology of this right now, but as a little girl, I spent endless hours fantasizing about growing up to be GI Joe's Storm Shadow or Snake Eyes. Luke Skywalker and Han Solo were way more capable and engaged than Leia in my mind and Indiana Jones was such a bad ass compared to any of his weaker female companions. Even my real life heroes, Malcom X, Martin Luther King Jr. and Mahatma Gandhi (look, I was a weird little kid) were men, and the smart people, too, Einstein, Jung, Freud (Yes, weird, weird little kid.).

What would Storm Shadow vs Snake Eyes slash look like?


That's not to say I didn't encounter strong female characters who I absolutely loved. Laura Ingalls Wilder, Menolly from the Harper Hall stories (Oh yeah, that's one for the deep geeks out there) are a couple. It was their fortitude I admired, less than their "masculine" strength.

I'm in my mid-thirties and I'm sure the young women who were born after me had subtly different experiences. I was raised by a parent who grew up in the fifties and sixties and though she was a wild child, I'm sure she had a lot of values about male/female relationships present in her psyche. I observed that a lot growing up, and felt very resistant to it. I was always uncomfortable with being "a girl" or "girly" because I didn't feel it represented me or who I was inside. I do love being a woman, but sometimes, especially when I was younger, I found society's definition/shaping of that gender identity very chafing.

I found a lot of relief in identifying with the male characters I saw on the big screen and television and read about in my books, but I also felt uncomfortable. I wasn't a man, nor did I ever want to be a man, and I felt a slight self-disgust, like, am I a hater of women? All of these female characters aren't like me. Am I rejecting them because they are women or because I don't identify with them? Do other people ask these questions when they read? I really hope so.

Preach it, Fumi Yoshinaga!


In Yaoi, all of the couples are "male" and in some sense genderless. This gender-less-ness creates a space free of preconceptions about what a man or woman is or should be or what-have-you. There is an equality between the characters not present in a man/woman pairing, where each member of the couple comes already imbued with a preset notion of gender identity.

When she reads yaoi, a skinny teen girl can be the brawny, strong and silent type, the pushy type, the shy, quiet type; she can be any type. She can explore whether and from which side she likes unrequited love or if she believes in love at all. She can be the top or the bottom. She can think about sex outside of a the context of gender politics. She can, and so can any other woman: housewives, day traders, grocery baggers. There's something revolutionary in that, a freedom, albeit a little strange, but healthy and fun.

A sweet, public kiss between the two main characters of "Only the Ring Finger Knows"

For our yaoi readers, I'd be interested to hear about why you like the genre?

For the love of Gravitation!


Dear Readers, I promised some Rock 'n' Roll around here! And, I mean to deliver! I've been thinking for ages about how to talk about Maki Murakami's classic many incarnated animanga-marketing extravaganza: Gravitation.

But, where do I start? Let's see, there's an anime, an OVA, a manga, a "remix" manga, light novels and oh, also dōjinshi, which Maki Murakami authored herself (and it is some really sick stuff, folks, sick.). I mean, who does that? So, meta. Actually, I think it was just so disturbing her publisher wouldn't touch it, but anyway.

At the heart of the blitz of materials that make up the Gravitation-verse, the story of a budding pop / rock star, Shuichi Shindou, and his love for a tortured romance novelist, Eri Yuki (sigh...). Shuichi, the lead singer of Bad Luck, is a little pink haired freak with too much energy, self-doubt, self-belief, passion and OCD. And, hrm, he is completely not like anyone I happen to know...

I've been thinking a lot about Shuichi lately, and why I even like him as a character? Point of truth: he can be a little annoying and abrasive, moving from the highest of heights to the lowest of lows, creatively and emotionally; he goes chibi too often for my tastes, and he is kind of pathetic. His band only has like two songs, and he wears the same outfit at every concert (oh, that's just the anime? Production value? Whatever.)

But, the thing is, I just love this character.

Shuichi is naively open to love. He sees what he wants, and he goes after it. He often agonizes and mopes, but he realizes that he shouldn't deny how he feels even if others don't approve. He's passionate about his creative life, and about the people he loves.

I'm going to go on record as saying: Shuichi Shindou inspires me!

In a forthcoming post, I will actually talk about one of the myriad associated comic type, moving picture what-have-you's that he appears in.

Squeefinity in the Haps!

Dear Readers, quiet though you may be (comment already, you guys...we see you lurking), Squeefinity is trying to make ourselves louder. We had a great 2011, because we began to take our role a little more seriously this year. For 2012, we want to step it up a notch with more reviews, another attempt at a give-a-way (no one wanted a copy of the worst manga Dr. M owns? Bizzare, right?), polls and queries, news and maybe a few guest bloggers.

This past year we began, in earnest, to post a few regularly scheduled theme days, and tried to bring you our unique (read that as: weird-old-academic-literary critic-fangirls) perspective in reviewing anime, manga and even a light novel or two. We write because we love. And we do love, Dear Readers, we love you, we love characters, we love complex plots, we love silliness, we love angst, we love triumph, we love frailty, we love good writing, and we love hot anime boys, because we are, admittedly, kind of pervy at times.

This next year we resolve to bring you more. So follow us on twitter @squeefinity, circle us on Google +, follow us here, put us on your RSS feed, drop us a note, a comment, an email, and in return we promise more good things on our end.

WE JUST WANT YOU TO LOVE US!
WHY WON'T YOU LOVE US?

I Want to Bite (light novel)

Title: I Want to Bite
Author: Isaya Takamori
Illustrator: Chigusa Kawai
Rating: 18+ MA
Fun fact: I LOVE books, but I'm not fond of light novels.

Here is a non-fiction story entitled, Dr. M's reaction to reading I Want to Bite.


 Dr. M's reaction to reading I Want to Bite.

Dr. M sat on her gray exercise ball and bounced away as she logged into eManga. There in the list of titles for review sat a vampire story entitled I Want to Bite. She clicked tentatively on the link and only got as far as the title and first name of the creator...the ever-lovely Chigusa Kawai. Dr. M grinned widely and chuckled softly as she inwardly rejoiced--"Chigusa Kawai and Vampires!" She bounced faster as she clicked on the pink "READ" button. Images of Georges and Robert from La Esperanca swam around in her head. But what was this? Kawai didn't write it, she only illustrated it. Dr. M's eyebrows lowered into her signature frown and her bouncing slowed. "That's okay," M thought, "She did illustrate it, so there will be tons of lovely vampiric wind!" She clicked "next" on the digital reader, and there were words. "Next," more words. She made a deep rumble in her throat that sounded like a growl, "Oh, man...a light novel?" She stopped bouncing and uttered a "meh," before clicking the x to close the viewer and moving on to the next selection.
The End--A story by Dr. M


Okay, I don't have anything against light novels, but I wanted a manga. Kawai did like 20 illustrations for this and nothing more. It was, to say the least, disappointing. And I may have read it, IF...IF there weren't like 20 other books waiting to be read on my actual shelves. This one gets saved for later, or maybe if we're lucky, Ms. Shakespeare will give it a read. Light novels are more her thing.

The Rule of Standing on Tiptoes (manga)

Title: The Rule of Standing on Tiptoe
Author/Illustrator: Puku Okuyama
Genre: Yaoi? I suppose incidentally it is.
Publisher: DMP
Rating: 16+ YA, but really doesn't need to be (zero sex or sexual situations)

Cover: Kosuke (Ham-chan) on Raku (Luck)'s shoulders
as Raku steals his chips. These boys are goofballs!

Okay, first of all, this is freaking adorable...adorable...like one of the most adorable things I've ever read, so I am going to keep writing adorable over and over again as I review it. ADORABLE! The Rule of Standing on Tiptoes is an adorable high-school  romantic comedy/friendship story about the tallest boy in class and the shortest boy in class. Short, hyper, hamster-like Kosuke and tall, popular Raku first meet when Raku hits Kosuke with his bike on the first day of 10th grade. Kosuke, who is immediately nick-named Ham-chan by Raku, is the first to discover Raku's secret--he's only half-Japanese. The secret isn't a big deal, but Raku stands out so much already because of his good looks and height that he'd rather keep his blue eyes (he wears black contacts) and his light brown hair (he claims he dyes it) under wraps to keep him from standing out more. His personality is vastly different from loud, boisterous, pierced, bleach blond Ham-chan, but despite their differences they form a fast friendship as they make their way through the pitfalls of high-school.  Somewhere along the way each, individually, starts to form more difficult feelings of love and devotion to the other. Did I say adorable? Because seriously, this is adorable. There's no graphic sex, no weird drama, no astonishingly unrealistic beautiful boys, no big obstacles, no secret pasts (I mean unless you count Raku's heritage), no psychic powers, no conniving rivals (one standard high-school-type rivalry is pretty tame), no aggressive lusting...there's nothing but an absolutely genuine feeling, sweetly awkward friendship that turns into an absolutely genuine feeling, sweetly awkward sort of love. Adorable.

On a side note there is something about Kosuke (Ham-chan)'s gestures and personality that reminds me of Ms. Shakespeare. Some of it may be the way he hyperactively panics before over-rationalizing and putting on a stoic face. Some of it may be because she is kind of adorable. See exhibit A and B below:


On the  left the adorable Ms. Shakespeare and surly Dr. M battling for the only copy of a manga!
On the right Ham-chan and his ex-girlfriend race to school to prove who is faster!
It really does look like us.
 So, the manga is adorable, and Ms. Shakespeare and I are adorable. Facts is facts, Dear Readers.

This really is one of the most honest seeming yaoi manga I've ever read. Okuyama has really captured that swoony-sick feeling that accompanies a timid sort of love. It is well worth a read if only to re-experience that feeling again. Oh...adorable (just wanted to type it once more).